My God, It's Full of Stars - "M29" EPDecember 18, 2015 · Spartan Records · SPAR031
After spending years as a contributing songwriter and active member of the fan adored indie-pop band Mae, Rob Sweitzer made a decision to leave the band in 2008 due to personal reasons, intraband tensions, and a desire to focus on home life and the budding stages of his own independent musical path. With hundreds of thousands of record sales, countless sold out shows, and scores of critical accolades under his belt, there was no shortage of momentum propelling Sweitzer’s post-Mae ambitions. Inspired by bands like Delta Spirit, Broken Social Scene, Elbow, and Doves, Sweitzer accumulated a mountain of demos that have been meticulously whittled down to a six song narrative that will serve as My God, It’s Full of Stars’ official introduction to the world. M29 is a project that has been both long in the works and completely reborn. It is an attempt to untangle conversational wonderings and existential inquiry through sonic layers, cathartic songwriting, and deliberate production.
Homesick Again: A Spartan Records Christmas AlbumDecember 17, 2015 · Spartan Records · SPAR034
Spartan proudly returns with their second annual holiday compilation, Homesick Again: A Spartan Records Christmas Album. Featuring seven brand new holiday songs, the album displays the label’s eclectic roster and includes a vast array of musical offerings ranging from Renaissance Fair’s rendition of the beloved Christmas classic “White Christmas” to covers of well-known holiday songs from Jimmy Eat World (Kiska), Sufjan Stevens (Square Peg Round Hole), and SpongeBob SquarePants (Secret Stuff) -- plus all new original holiday songs from The Foxery, My God It’s Full of Stars, and Sullivan.
Lucky Scars - "Rock and Roll Party Foul" EPDecember 4, 2015 · Spartan Records · SPAR027
Reigning from the depths of Orange County, Lucky Scars has but one goal and ambition: to rock your backyard party. With songs about a female assassin, fear of the government, breaking the law, and killing people in positions of power, Lucky Scars — featuring former members of Sense Field and Ignite — exists to further rattle those who live comfortably in paranoia. Produced by Jim Monroe (CJ Ramone, The Adolescents) and mastered by Stephen Egerton (Descendants, All, Flag), the EP contains four breakneck blasts of good, old-fashioned, beer-swillin' American rock and roll.
Barren Womb - "Nique Everything"November 27, 2015 · Spartan Records · SPAR033
Since their inception in late 2011, Norwegian noise rock duo Barren Womb have been raising both eyebrows and hell with their nasty swill of Punk 'n' Roll and Blackened Country Noise. Nique Everything, Barren Womb’s second and arguably most defining album to date, features 10 brand new bursts of easy listening for the hard of hearing. It sees the band further exploring soundscapes, instrumentation, and themes more commonly found in Country/Americana than in Noise Rock. Yet it still retains every ounce of energy and conviction the duo has been known for in the past. From the crushingly heavy opening track "Make sure you get yr whole head in front of the shotgun" via the frenetic Country Punk of tracks like "Piss jugs" and "Town’s back the way you came" to the swampy stomp of "Devil run the game" and "White raven," trails are being blazed left, right and center.
Renaissance Fair EPNovember 20, 2015 · Spartan Records · SPAR032
Renaissance Fair is an indie rock band consisting of Nicholas Bryley (vocals/guitar), Wesley (guitar/vocals), Jared (bass/vocals), and Branson Summers (drums). Since they were 9 and 10, the Summers brothers have been playing music together. Starting as a classic rock cover band and moving into covering modern alternative and punk bands, as they got older, they began writing their own music and creating a name for themselves as a pop-punk band called The Summers. Over time, The Summers got stronger as musicians and writers and began moving away from the pop-punk writing style. Meanwhile in the Memphis underground scene, Nicholas Bryley was having a very similar progression in his writing with his band Midway, and it wasn't long until the four of them joined forces. In the summer of 2014, Nick and Wesley began writing for the new project and soon found themselves with an original sound unlike anything they had produced before. The band relocated to Nashville in early 2015 and were immediately in the studio recording their debut self-titled EP. Drawing inspiration from decades of music and art, Renaissance Fair has a well balanced sound with their melodic riffs, distinct vocal harmonies, poetic lyrics - complimented by subtle hints of jazz and alternative rock influences.
Shy, Low - "Hiraeth"November 13, 2015 · Spartan Records · SPAR029
Hiraeth: a word without a concrete English translation. While evading an unequivocal definition, it exudes melancholy. Those who have attempted to define it describe the word as a mixture of homesickness, nostalgia, grief, and longing. It is the oppressive guilt associated with memories now passed; the bitter remembrance of joyous occasions that can never be revisited. It is also the title of Shy, Low’s newest full-length album. Just like the word Hiraeth itself, Shy, Low’s continual evolution make them a band that is not easy to define. While it would be convenient to corral the band into the bucket of canonical post-rock bands like Mono, Mogwai, and This Will Destroy You, on Hiraeth, Shy, Low’s eclectic palate of musical influences are showcased more broadly than ever before. The band earnestly sifts through the complex relationship between music, art, and the emotions that encapsulate the human experience — and in doing so, they’ve successfully created a brilliantly moving, yet strangely bittersweet 43 minute aural journey.
Kiska - "Kiska"October 30, 2015 · Spartan Records · SPAR028
Heavy, majestic, desolate, ominous. There are no better words to describe Kiska’s self-titled, debut release. Leaving behind the more radio-friendly leanings of the quartet’s former band, Desoto Jones, the musicians reinvented themselves with Kiska, pursuing a heavier, more dynamic, and frenetic direction. In comparative terms, sonically the record falls in the general vicinity of bands like Jawbox, Failure, Rival Schools, and Hum — driving, dynamic, and aggressive, but with clean and resounding choruses. A delicate balance of space, power, grit, and color.
NYVES - "Anxiety"June 23, 2015 · Spartan Records · SPAR025
NYVES is the new electronic music project featuring Ryan Clark (Demon Hunter) and Randy Torres (ex-Project 86). What began as a cathartic outlet centered on a mutual love for moody, electro-rock music has resulted in one of the most gorgeous full-length records of the year. Dark, pulsing soundscapes are woven together by Clark’s instantly identifiable vocals; resonate layers are balanced by Torres’s crystal clear and expert production; and high levels of experimentation are outweighed only by melodic sensibility and sonic accessibility.
Demons - "Great Dismal" EPJune 16, 2015 · Spartan Records · SPAR026
While the untangling of duality -- awe and anguish, faith and fraud, hope and horror -- is hardly a new artistic exercise, such rich questioning is rarely attempted in the form of a six song EP. Performing the duties of both architect and builder, Zach Gehring (of beloved Virginia-based Mae acclaim) has designed an exorcism vehicle, the aptly-titled moniker Demons, and allowed often-at-odds voices the opportunity to speak. Decidedly heavier and more aggressive than previous projects, Demons took stylistic cues from the likes of many influential bands that have shaped Gehring as a musician. Traces of Spiritualized, Pedro The Lion, The Afghan Whigs, and Mudhoney can be found throughout and we bare witness as moments of sonic accessibility lose footing and spiral into heavy and brooding responses with little warning. Gehring's fragile vocals transition into angst-ridden bellows and words from the same speaker argue back and forth across the tracklisting. The result is Great Dismal, an oxymoronic battle of declarations, withholdings, distortion, and clarity -- a tussle of the psyche examined through opposing dynamics.
Unifier - "Gutted" EPMarch 24, 2015 · Spartan Records · SPAR024
In the tradition of great modern alternative noisemakers like Brand New, Jimmy Eat World, and Foo Fighters, Unifier has spent the last several years releasing and performing a steady stream of gorgeously driving pop rock records. What the band achieved on their earlier albums in terms of “big” and “pretty” aesthetics, Gutted matches with newfound elements of rawness and aggression. Conceptually, the EP wanders into both familiar and darker domains, examining recurring feelings of loss, helplessness, doubt, and judgment through a variety of narrative lenses.
Trespassers - "Rival Glass" EPFebruary 24, 2015 · Spartan Records · SPAR023
The start of a new year comes with a new set of goals. Determination breeds new ambitions and the past is left securely in the rear view mirror. For the upstate New York-based quintet, Trespassers, this is the year to give rise to those ambitions. And with the first chords of the band's new EP Rival Glass, it is obvious that band has has its sights set squarely on the future. Rival Glass starts with the explosive "Dead End" and embarks on a five-song journey that not only cements the band's trademark for writing melodic and emotional songs with a colossal backbone, but explores new sonic territory as well. This is the year for Trespassers -- with the arrival of the EP, there is no turning back.
Unifier - "Oh, Great City" EPFebruary 17, 2015 · Spartan Records · SPAR022
There have always been two sides of music that argue back and forth. There are bands that make pop music with the sole goal of writing a song that feels good and captivates the mind, and those that make music that is progressive and pushes the boundaries of what is possible in a genre. Originally released in 2011, Unifier's debut EP Oh, Great City is a collection of songs that masterfully marries both sides -- fusing the pop-rock sounds of Switchfoot, Foo Fighters, and Jimmy Eat World with the progressive genre-bending of groups like Brand New, The Dear Hunter, and Manchester Orchestra. Now re-released with 3 bonus tracks and newly imagined artwork, the EP serves as a perfect introduction to the Greensboro, NC quartet and is just a taste of what fans can expect from the band's first new release in over two years, the Gutted EP.